Merrill Mahaffey
Interior Landscapes of the West, a Fifty-Year Retrospective
June 22
–
November 9,
2008
“Next summer I’ll be sixty and after due
consideration and worry, it is time to live a life of essential
meanings; so cut to the artistic chase. Do not tilt with windmills and
do not rest.” ―Merrill Mahaffey, 1997
The
Art of Essential Meanings
Vast landscapes, sublime beauty, and remote, uninhabited spaces at the
heart of the West are all hallmarks of Merrill Mahaffey’s paintings. A
self-proclaimed spiritual naturalist, Mahaffey’s work inspires a sense
of awe and reverence for his subject matter, whether it is close-up
rock formations, panoramic views of mountainsides and canyons, or
reflections of canyon walls in the water.
Merrill Mahaffey: Interior Landscapes of the West, a Fifty-Year
Retrospective, a new exhibit at the Museum of Northern Arizona
in Flagstaff, opens June 22 and runs through November 9. The
exhibit is a unique inquiry into the meaning of western landscapes and
their role in American culture at the beginning of the twenty-first
century.
Mahaffey’s view of the natural world as an expression of the creative
power of the universe is paired with his analytical temperament and
love of science and geological formations. He revels in realism, but
stops short of photographic detail, infusing color and softening lines
to express his feelings. His work seems to say, “Look here. This is
what is essential. This viewpoint, right here, has meaning.”
Mahaffey is particularly interested in the interface of land and
water. Many of his works focus on the dramatic contrast between the
glassy, reflective surfaces of rivers and lakes and the textured rock
walls that tower above them.
MNA Curator of Fine Art Alan Petersen says, “Merrill Mahaffey’s
paintings examine the visual power of landscapes, the nature of their
constituent parts, and the effects of human interaction. Characterized
by a dynamic combination of realism and abstraction, his works
celebrate the monumental scale of geological formations of the
Southwest and express a lifelong concern for wilderness in our modern
society.”
Mahaffey’s body of work exists within a great tradition of American
landscape painters. However, unlike much American landscape painting,
Mahaffey’s is neither sentimental, nor romanticized. His images are
direct and assertive. He tends to avoid dramatic lighting and many of
his works have glaring, midday light that enhances their objective
quality that in the artist’s words, “de-romanticizes” the subject.
Mahaffey says there are scenes that he won’t paint, because he
considers them too picturesque and admits that one of his goals is to
“make the commonplace seem special.”
Born in Albuquerque, New Mexico, Mahaffey grew up in Grand Junction,
Colorado. By the age of eight he had already begun his lifelong
passion for art. He attended California College of Arts and Crafts in
Oakland (now California College of Arts) and Sacramento State
University (now California State University, Sacramento). He received
his Master of Fine Arts from Arizona State University and taught at
Phoenix College and ASU. He took his first river trip through the
Grand Canyon in 1980 and has since made many more Colorado River
journeys that have greatly influenced his work.
Collections of his work can be found at the Smithsonian, The
Metropolitan Museum of Art, the Denver Art Museum, the Phoenix and
Tucson Art Museums, and numerous private and corporate collections. He
resides in Phoenix, Arizona.
Mahaffey
Works Offered for Sale
During the exhibit, MNA will also be featuring works by Merrill
Mahaffey for sale. Preview works for sale
here.
Image: Hite Totems #2
© 2008 Merrill Mahaffey |